Review article for beginner musicians
The training problem is one of the most important, but, unfortunately, the least covered, which often leads to disastrous results in terms of creative growth: without laying the proper basis…

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Good sound and all you need
This article will help you choose the equipment that best suits your tasks. Here we will try to talk not so much about HOW these or those devices are arranged,…

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Frequencies to Remember
Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be defined as follows: low from…

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rhythmic beat

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A well-recorded play

When I was recording my first album, the mix itself sounded great, but neither the band nor the song were. Everyone who listened to him agreed with this – and at first these people did not separate the mix from the music at all.
Most people think the same way and do not make certain differences between the individual parts, the totality of which is music. Be that as it may, an engineer will most often make comments on certain aspects of the recording, the music itself, and information. If we are talking with a producer, then, as a rule, he is responsible for the details of the recording. But more often than not, an engineer plays this role. However, the producer himself is heavily dependent on the opinions and criticisms of the engineer. Continue reading

About working with the stave at Cakewalk

In Cakewalk, the Staff instrument is one of the most convenient and important means of creating a melody. For musicians using classical musical notes, guitarists accustomed to the guitar fretboard and tablature, this instrument is simply necessary. It greatly simplifies the process of musical creation.

So, in order to activate the “Note Mill”, you need to start Cakewalk and select Staff from the View menu. A window like this opens:
At the top of this window is a panel with operation buttons. The first four of them control the process of applying notes to a stave: Continue reading

Reasoning about art

“The poet belongs to the form, and the content to the history and reality of his people” (Belinsky; compare Glinka: “The people compose music, we only arrange it”). Consequently, the artist’s task is to discover (rather than invention) the content and invention for him the form corresponding to him (expressing the form in a broad, philosophical sense).
Chernyshevsky argued that art is a weak semblance of life and that, for example, paintings depicting the sea are needed only by those who have not seen the real sea. But it seems that the old woman, who served as the original for the Rembrandt picture, did not attract such attention as this picture, and that the Continue reading

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Frequencies to Remember
Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be defined as follows: low from…

...

Frequencies to Remember
Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be defined as follows: low from…

...

Sound effects
Let's dwell on the consideration of those manipulations with sound that allow you to achieve the appearance of effects such as, for example, echo, reverb, etc. There are various ways…

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About free creativity
I, almost completely reconciled. Resigned to the fact that the commercial sound won completely and irrevocably. That free creativity, if it has not died at all, dies, and dies more…

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