How to treat vocal cords with loss of voice?
The first thing that you should understand for yourself is how, in case of any disease, treatment started on time after a cold will lead to recovery much faster. Therefore,…

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Why do I need an arrangement
There are several interpretations of the word "arrangement". In the Soviet methodology, it meant transferring finished music to another performing staff, for example, from a piano to a four-voice choir,…

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What music preferences depend on
Music can be safely called a universal language. Regardless of the language in which certain songs are performed, for some reason we want to listen to specific music, even if…

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instrumentation

A look from inside. About VST Tools

This article reveals the idea of ​​creating VST synthesizers, the understanding of which is lacking for musicians, especially those who are constantly looking for more and more new synthesizers and those who like to argue which synthesizer is better and what. Due to the fact that many issues have a psychological basis, the process of choosing a “favorite” synthesizer will also have to be considered from the point of view of classical psychology.

Beginner’s Look

To begin with, I propose to answer the question of which synthesizer is most attractive to you and why, also Continue reading

Physics of sound

This text is optional. Especially for those people who are not going to seriously work with sound, but want only in their free time to play the synthesizer and make some music for their pleasure. In principle, you can quite easily use a computer for musical purposes without knowing the basics of acoustics, electrical engineering and other applied disciplines.

But if you are a professional musician or an “advanced” amateur, then everything that is written below, you just need to know. Without this, you will not be able to get a conscious result, and in the future to creatively use programs avoiding template solutions. And this requires at least an understanding of the basic laws of acoustics. Therefore, gather your thoughts and start reading – we tried to make your task as easy as possible and, as much as possible, simplified the story.

By the way, many Western musicians do not particularly bother to study equipment or, especially, some suspicious fundamentals of physics, and rely entirely on technicians, sound engineers and producers. When they come to our country, they are genuinely surprised to see how, when preparing a concert, the guitarist is busy with tuning many Continue reading

CPU offload in FL Studio

I think that many of those who use external plug-ins (Vst, DXi) when creating their project, which uses a large number of them, have encountered the problem of processor loading.
This article will partly help you deal with this problem.

I think that many of those who use external plug-ins (Vst, DXi) when creating their project, which uses a large number of them, have encountered the problem of processor loading. Also loading occurs if you have a large number of effects in the mixer. You can, of course, turn the “buffer length” knob (Options => Audio settings), however, if it is at maximum, there will be some delay, because the sound does not have time to be generated, i.e. if you try to play a melody using the midi keyboard or using the “record” function then … in short, a bummer about you, the sound will not come out at the moment you Continue reading

Romance
“Music is the soul of poetry, it clarifies and opens it. It makes the poetic word deeper in meaning and easier to perceive. The spirit of music in the emotional…

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Kach in dance music
Somehow I thought about one thing: sometimes one bass, drummer and a pair of cymbals are enough for people to want to twitch from this primitive thing! Why it happens?…

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About working with the stave at Cakewalk
In Cakewalk, the Staff instrument is one of the most convenient and important means of creating a melody. For musicians using classical musical notes, guitarists accustomed to the guitar fretboard…

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Musical ear: myths and reality
Musical hearing is a combination of abilities necessary for composing, performing and actively perceiving music. Musical hearing implies a high subtlety of perception of both individual musical elements or qualities…

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