with a hammer
Many musical groups playing at one level or another, sooner or later, are faced with the need to record their work.
There may be various reasons for this.
Someone wants to record a team’s rehearsal for the subsequent “debriefing” in order to get rid of errors that may be noticeable to the listener, but which are difficult to detect directly during the rehearsal.
Someone wants to “run” the program at rehearsals and leave a record, for example, to familiarize invited musicians. They also write demos that can serve as rough material for future studio sessions, or are designed to create a general impression of the material for other people. Continue reading
The training problem is one of the most important, but, unfortunately, the least covered, which often leads to disastrous results in terms of creative growth: without laying the proper basis at the very beginning of the path, it will subsequently be difficult to get on the right track. The first thing you need to decide is how seriously do you plan to master musical science. If the matter is limited to the performance of simple melodies, then, in fact, any device is suitable – regardless of the type of mechanics and the number of octaves. But if your intentions are more thorough, then this is completely different. In such a situation, an instrument with an 88-key (7 octaves) “heavy” hammer mechanics is needed, which, by tactile sensations, is as close as possible to a real piano. The question of choosing a digital piano also requires a responsible approach, especially considering that a model with a high-quality keyboard and realistic sound is, alas, not cheap. Yes, but why not just buy an ordinary piano? – you will take an interest. Ideally, this should be done, only because it takes up a lot of space, needs periodic preventive maintenance and does not allow to output sound through headphones. Not to mention the single “built-in timbre.”
Keyboard Types Continue reading