Sound effects
Let's dwell on the consideration of those manipulations with sound that allow you to achieve the appearance of effects such as, for example, echo, reverb, etc. There are various ways…

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Music and color
Night. Fire of ritual bonfires, dance to the rhythmic beat of drums, song of a shaman, heated up with body movements in bright clothes ... Even in ancient times, people…

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A look from inside. About VST Tools
This article reveals the idea of ​​creating VST synthesizers, the understanding of which is lacking for musicians, especially those who are constantly looking for more and more new synthesizers and…

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usually called

Why do I need an arrangement

There are several interpretations of the word “arrangement”. In the Soviet methodology, it meant transferring finished music to another performing staff, for example, from a piano to a four-voice choir, from a vocal duet to a trombone duet with balalaika. When the subject of instrumentation begins at a music school, students begin to get confused – how is the arrangement different from instrumentation. Another interpretation is variation, i.e. approximately the same changes as when composing variations: changes in tempo, rhythm, size, style. At the same time, significant changes are often made to the author’s melody.

The arrangement can go so far that it completely replaces the original music with another one that is not Continue reading

Non-linear hearing

For the normal average organ of hearing of a person, there are some limit (threshold) minimum values ​​of the physical parameters of the sound field, at which there is still an auditory sensation. Such a threshold of audibility is the standardized sound intensity I0 = 10 … 12 W / m2 (close to the threshold of audibility at f = 1000 Hz in silence), as well as the corresponding sound pressure p0 = 2 * 10-5 Pa and sound energy density e03 * 10-15 J / m3. The hearing threshold is private dependent. Above the threshold of hearing is the hearing area. In fig. 1 shows a curve of the threshold of audibility. The upper threshold of audibility is also shown there, above which the destruction of the organ of hearing can occur – the pain threshold, which corresponds to pressure pmax = 150 … 200 Pa, which exceeds 107 times p0 = 2 * 10-5 Pa. Continue reading

Frequencies to Remember

Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be defined as follows: low from 10 Hz to 200 Hz, medium from 200 Hz to 5 kHz, and from 5 kHz – high. For a more precise definition, let’s divide these three parts into smaller ones and consider them separately.

1) Low bass (from 10 Hz to 80 Hz) – these are the lowest notes from which the room resonates, and the wires begin to hum. If your sound reproducing equipment does not reproduce these frequencies, you should feel the loss of saturation and depth of sound. Naturally, when recording and mixing, the loss of these frequencies will cause the same effect.

2) Upper basses (from 80 Hz to 200 Hz) are the top notes of bass instruments and the lowest notes of Continue reading

Frequencies to Remember
Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be defined as follows: low from…

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Musical ear: myths and reality
Musical hearing is a combination of abilities necessary for composing, performing and actively perceiving music. Musical hearing implies a high subtlety of perception of both individual musical elements or qualities…

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About free creativity
I, almost completely reconciled. Resigned to the fact that the commercial sound won completely and irrevocably. That free creativity, if it has not died at all, dies, and dies more…

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A well-recorded play
When I was recording my first album, the mix itself sounded great, but neither the band nor the song were. Everyone who listened to him agreed with this - and…

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