Many musical groups playing at one level or another, sooner or later, are faced with the need to record their work.
There may be various reasons for this.
Someone wants to record a team’s rehearsal for the subsequent “debriefing” in order to get rid of errors that may be noticeable to the listener, but which are difficult to detect directly during the rehearsal.
Someone wants to “run” the program at rehearsals and leave a record, for example, to familiarize invited musicians. They also write demos that can serve as rough material for future studio sessions, or are designed to create a general impression of the material for other people. Continue reading
For the normal average organ of hearing of a person, there are some limit (threshold) minimum values of the physical parameters of the sound field, at which there is still an auditory sensation. Such a threshold of audibility is the standardized sound intensity I0 = 10 … 12 W / m2 (close to the threshold of audibility at f = 1000 Hz in silence), as well as the corresponding sound pressure p0 = 2 * 10-5 Pa and sound energy density e03 * 10-15 J / m3. The hearing threshold is private dependent. Above the threshold of hearing is the hearing area. In fig. 1 shows a curve of the threshold of audibility. The upper threshold of audibility is also shown there, above which the destruction of the organ of hearing can occur – the pain threshold, which corresponds to pressure pmax = 150 … 200 Pa, which exceeds 107 times p0 = 2 * 10-5 Pa. Continue reading
Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be defined as follows: low from 10 Hz to 200 Hz, medium from 200 Hz to 5 kHz, and from 5 kHz – high. For a more precise definition, let’s divide these three parts into smaller ones and consider them separately.
1) Low bass (from 10 Hz to 80 Hz) – these are the lowest notes from which the room resonates, and the wires begin to hum. If your sound reproducing equipment does not reproduce these frequencies, you should feel the loss of saturation and depth of sound. Naturally, when recording and mixing, the loss of these frequencies will cause the same effect.
2) Upper basses (from 80 Hz to 200 Hz) are the top notes of bass instruments and the lowest notes of Continue reading