The influence of music on water: the ennobling and destructive effect of sounds
A person in every moment is surrounded by millions of sounds of different keys and types. Some of them help him navigate in space, others he enjoys purely in an…

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Vocoders: practice and assortment
Vocoder (English voice coder - voice encoder) - a speech synthesis device based on an arbitrary signal with a rich spectrum. Initially, vocoders were developed in order to save the…

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Why is it all the same noise music?
This article will focus not so much on noise, as you might think by reading the headline, but on the music performed by the musicians and the musicians themselves. The…

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shadow of doubt

Reflections on the younger generation of DJs

Have you ever thought about what catches you in electronic music and vice versa, why does it sometimes seem boring and uninteresting to you? On the other hand, have you ever thought about why you write (if you write) music, want to become a DJ, strive for popularity? Most likely, everyone will give some answer to these questions. I would like to tell you what some of these answers may lead to.

So the question is: why do you want to become a DJ?
Probably the most common answer will be similar to the lines from an advertisement of some DJ school: Continue reading

A well-recorded play

When I was recording my first album, the mix itself sounded great, but neither the band nor the song were. Everyone who listened to him agreed with this – and at first these people did not separate the mix from the music at all.
Most people think the same way and do not make certain differences between the individual parts, the totality of which is music. Be that as it may, an engineer will most often make comments on certain aspects of the recording, the music itself, and information. If we are talking with a producer, then, as a rule, he is responsible for the details of the recording. But more often than not, an engineer plays this role. However, the producer himself is heavily dependent on the opinions and criticisms of the engineer. Continue reading

Frequencies to Remember

Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be defined as follows: low from 10 Hz to 200 Hz, medium from 200 Hz to 5 kHz, and from 5 kHz – high. For a more precise definition, let’s divide these three parts into smaller ones and consider them separately.

1) Low bass (from 10 Hz to 80 Hz) – these are the lowest notes from which the room resonates, and the wires begin to hum. If your sound reproducing equipment does not reproduce these frequencies, you should feel the loss of saturation and depth of sound. Naturally, when recording and mixing, the loss of these frequencies will cause the same effect.

2) Upper basses (from 80 Hz to 200 Hz) are the top notes of bass instruments and the lowest notes of Continue reading

Good sound and all you need
This article will help you choose the equipment that best suits your tasks. Here we will try to talk not so much about HOW these or those devices are arranged,…

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Would you be Einstein?
You are young, you consider yourself advanced, nightclubs are the best place where you can have fun after school or work. After - a feeling of well-spent time, only fresh…

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A look from inside. About VST Tools
This article reveals the idea of ​​creating VST synthesizers, the understanding of which is lacking for musicians, especially those who are constantly looking for more and more new synthesizers and…

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Music and color
Night. Fire of ritual bonfires, dance to the rhythmic beat of drums, song of a shaman, heated up with body movements in bright clothes ... Even in ancient times, people…

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