About musical performance
Performance as a special type of artistic activity does not exist in all arts. In painting for example, it is inseparable from creativity: to create a picture is what it…

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Review article for beginner musicians
The training problem is one of the most important, but, unfortunately, the least covered, which often leads to disastrous results in terms of creative growth: without laying the proper basis…

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Would you be Einstein?
You are young, you consider yourself advanced, nightclubs are the best place where you can have fun after school or work. After - a feeling of well-spent time, only fresh…

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shadow of doubt

Reflections on the younger generation of DJs

Have you ever thought about what catches you in electronic music and vice versa, why does it sometimes seem boring and uninteresting to you? On the other hand, have you ever thought about why you write (if you write) music, want to become a DJ, strive for popularity? Most likely, everyone will give some answer to these questions. I would like to tell you what some of these answers may lead to.

So the question is: why do you want to become a DJ?
Probably the most common answer will be similar to the lines from an advertisement of some DJ school: Continue reading

A well-recorded play

When I was recording my first album, the mix itself sounded great, but neither the band nor the song were. Everyone who listened to him agreed with this – and at first these people did not separate the mix from the music at all.
Most people think the same way and do not make certain differences between the individual parts, the totality of which is music. Be that as it may, an engineer will most often make comments on certain aspects of the recording, the music itself, and information. If we are talking with a producer, then, as a rule, he is responsible for the details of the recording. But more often than not, an engineer plays this role. However, the producer himself is heavily dependent on the opinions and criticisms of the engineer. Continue reading

Frequencies to Remember

Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be defined as follows: low from 10 Hz to 200 Hz, medium from 200 Hz to 5 kHz, and from 5 kHz – high. For a more precise definition, let’s divide these three parts into smaller ones and consider them separately.

1) Low bass (from 10 Hz to 80 Hz) – these are the lowest notes from which the room resonates, and the wires begin to hum. If your sound reproducing equipment does not reproduce these frequencies, you should feel the loss of saturation and depth of sound. Naturally, when recording and mixing, the loss of these frequencies will cause the same effect.

2) Upper basses (from 80 Hz to 200 Hz) are the top notes of bass instruments and the lowest notes of Continue reading

Why do I need an arrangement
There are several interpretations of the word "arrangement". In the Soviet methodology, it meant transferring finished music to another performing staff, for example, from a piano to a four-voice choir,…

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Percussion Recording
Once at the Department of Sound Engineering of the Institute. The Gnesins had a meeting with the famous sound engineer Yuri Bogdanov. He told various stories from his life for…

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What music preferences depend on
Music can be safely called a universal language. Regardless of the language in which certain songs are performed, for some reason we want to listen to specific music, even if…

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CPU offload in FL Studio
I think that many of those who use external plug-ins (Vst, DXi) when creating their project, which uses a large number of them, have encountered the problem of processor loading.…

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