Many musical groups playing at one level or another, sooner or later, are faced with the need to record their work.
There may be various reasons for this.
Someone wants to record a team’s rehearsal for the subsequent “debriefing” in order to get rid of errors that may be noticeable to the listener, but which are difficult to detect directly during the rehearsal.
Someone wants to “run” the program at rehearsals and leave a record, for example, to familiarize invited musicians. They also write demos that can serve as rough material for future studio sessions, or are designed to create a general impression of the material for other people. Continue reading