This article reveals the idea of creating VST synthesizers, the understanding of which is lacking for musicians, especially those who are constantly looking for more and more new synthesizers and those who like to argue which synthesizer is better and what. Due to the fact that many issues have a psychological basis, the process of choosing a “favorite” synthesizer will also have to be considered from the point of view of classical psychology.
To begin with, I propose to answer the question of which synthesizer is most attractive to you and why, also Continue reading
Of all the processes used in the production of modern music, signal compression is perhaps the most difficult to perceive. This is primarily due to the fact that often the result of processing the sound by the compressor is barely audible – especially for beginners. Another difficulty lies in the number of variable compressor parameters: they are not as few as it might seem, and besides, changing each of them does not always lead to obvious results. The fact that these parameters are interconnected only significantly complicates the situation. And finally, an ordinary sound engineer can simply bewilder the amazing variety of types and models of compressors – he will have to rack his brains about choosing the right device before proceeding with his direct duties. Here is the trivial example for you: suppose you need to compress the record to hell. Which is better to choose? A compressor based on VCA (Voltage Control Amplifier), or based on an optoelectrical element? Transistor or tube (or maybe a hybrid of both)? Analogue or digital? A hardware compressor, or limited to a program that performs its functions? And so on and so forth. With so many options available, it is not surprising that compressors and compression are still a mystery to many users. However, if you decide to achieve some success in recording and Continue reading
Many musicians who have never worked in the accompaniment of domestic pop stars naively believe that this is an undoubted success for the musician, contributing to further professional and career growth. Speaking at the stadium, in the spotlight, surrounded by television cameras is considered more prestigious than playing in a restaurant or a small club. Yes, it’s worth adding to this, many people think that the musicians of the “star” bands receive some kind of sky-high salary. As a result, they have the opportunity to buy expensive tools, professional equipment, as well as apartments, cars, etc. Of course, it is quite logical to conclude that working with the stars is beneficial in that the musician of her team is gradually acquiring acquaintances, connections that give hope for the future. As the saying goes, “do not have a hundred rubles, but have a hundred friends.” Continue reading